Artist Update: Beverly Gimlin’s “Mapping the Silence” on display at Art Studio Gallery.
What do Las Vegas, Opryland, Seaworld, and the Bemis Building have in common? While it’s true that you might visit them on a vacation, the best common factor is Lindsey Cunningham and his artwork! There’s no paint or clay or cameras involved; instead, it’s cloth, thread, feathers, Lindsey’s hands and hard work. And sequins.
Beverly Gimlin’s textural paintings explore the light and color around her. She is inspired by the dualities of the city/island lifestyle she enjoys here in the Northwest. Gimlin is currently working on a mixed-media series that deals with unexamined issues of a mostly silent past. Here, we discuss how her textural work is connected to her new series by the deep emotions within.
John Gascon is an architect and artist by trade, he is the director at Ouch My Eye Gallery, and owner of Occhio Cafe, but really he’s so much more than that. Newly elected to the SODO Business Association Board, he is concerned with the community of SODO and its relationship with art. Genuinely interested in connecting with people and promoting their emerging talents…
Images from the past in a new context by Kadence Englehardt.
:: ::
For Karen Chenkovich, a Seattle based artist, the properties of the materials she works with are the most fascinating subject matter. ‘Reallocating’ the images and text from many older volumes, this artist has a sincere love for the past, and sheds light on the forgotten images
The Aesthetics of Decomposition by Kadence Englehardt.
:: ::
Kara Higgins is an independent photographer – originally from the East Coast, now lives in Seattle when she’s not working on her art. Though she has lived most of her life in predominantly urban spaces, she finds inspiration is just the opposite: the formerly urbane, but now distressed from being reclaimed by nature. She chases that moment on the open road…
© Bemis Art Community.